When used correctly, it gives the most glossy sheen imaginable on the overtones, and when used incorrectly gives the harshest of harshnesses Also retired in favor of other mastering EQs, this box is a gem. One of the sonically most interesting parts of the recipe is the use of the Avalon 2055 - a delicate Class A discrete Stereo Hardware EQ that colors the high end in the most unique and hi-fi way imaginable.
This was “THE” patch of the 90’s for most of these recordings - it is so 90’s sounding and is also instantly recognizable. The favored Lexicon 480 hardware reverb unit was taken out of retirement and the exact reverb patch was dialed up. Most of these are now retired and replaced by cleaner and less colored signal paths by companies that weren’t created yet at the time.
In the control room we patched in the exact preamp settings on the exact same preamps that still are mounted on the studio wall to this day. We matched every other microphone on the recall sheet and set them up in 90’s fashion. These microphones have mostly been retired since the early 2000’s. They feature a unique hi-end crispness and transparency that is instantly recognizable. We rented the three exact modified Neumann M50 microphones used as the Decca Tree on the original sessions. We went to great lengths to do this while always referencing the recall sheet and using the memories of some of the Sony Scoring crew who were actually there. The vision was clear - replicate this sound. Right there on this aging paper was the actual recipe used to record the orchestra for these landmark sessions. Last year, while recording something unrelated, the original pencil marked Jurassic Park session recall sheets popped up out of the filing cabinet for some nerdy ogling. It's now a slightly different sound, which some favor, some disdain, and most simply don’t notice. In the control room, while many of the central philosophies have remained the same, modern recording seems to have evolved to use cleaner, higher bandwith and less colored gear. As they are replaced by their younger colleagues, certain principles of pedagogy and musicality have been retired as well. Many titans of the session playing world of this period have retired. It's shocking that the 90’s are now considered a long time ago.